[{"data":1,"prerenderedAt":19},["ShallowReactive",2],{"hreflang:/es/art/le-combat-des-trente-octave-penguilly-lharidon-1857":3,"art:le-combat-des-trente-octave-penguilly-lharidon-1857":7},{"fr":4,"en":5,"es":6},"/art/le-combat-des-trente-octave-penguilly-lharidon-1857","/en/art/le-combat-des-trente-octave-penguilly-lharidon-1857","/es/art/le-combat-des-trente-octave-penguilly-lharidon-1857",{"id":8,"title":9,"localImageUrl":10,"imageUrl":11,"thumbUrl":10,"filePageUrl":12,"sourceLabel":13,"author":14,"license":15,"description":16,"descriptionEn":17,"descriptionEs":17,"titleEn":18,"titleEs":18},"le-combat-des-trente-octave-penguilly-lharidon-1857","Le Combat des Trente","","https://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/Le_Combat_des_Trente_%281857%29.jpg/960px-Le_Combat_des_Trente_%281857%29.jpg?uselang=fr","https://commons.wikimedia.org/wiki/File:Le_Combat_des_Trente_(1857).jpg?uselang=fr","Wikimedia Commons","Octave Penguilly L'Haridon","Domaine public","Cette peinture d’Octave Penguilly L’Haridon, réalisée en 1857, représente le Combat des Trente, épisode célèbre de la guerre de Succession de Bretagne survenu en 1351, dans le cadre plus large de la guerre de Cent Ans. L’œuvre montre la violence de l’affrontement entre les partisans de Charles de Blois et ceux de Jean de Montfort, dans une composition qui insiste sur l’héroïsme chevaleresque, le désordre du combat et la mémoire bretonne de cet épisode. Peinte plusieurs siècles après les faits, elle ne constitue pas un témoignage direct mais une relecture historique du XIXe siècle, à une époque où les artistes s’intéressent vivement au Moyen Âge, aux identités provinciales et aux grandes scènes du passé français. Le tableau est aujourd’hui associé à la postérité mémorielle de cet affrontement, longtemps célébré comme un symbole de bravoure et d’honneur guerrier. ","This painting by Octave Penguilly L'Haridon, completed in 1857, depicts the Combat of the Thirty, a famous episode of the Breton War of Succession that took place in 1351 within the broader context of the Hundred Years’ War. The work shows the violence of the clash between the supporters of Charles of Blois and those of John of Montfort, in a composition that emphasizes chivalric heroism, the disorder of battle, and the Breton memory of the event. Painted several centuries after the facts, it is not a direct witness but a nineteenth-century historical reinterpretation, produced at a time when artists were deeply interested in the Middle Ages, provincial identities, and the great scenes of the French past. The painting is now closely tied to the memorial legacy of this confrontation, long celebrated as a symbol of bravery and martial honor.","The Combat of the Thirty",1786625485277]